Leela may carry the buzz that it deals with a controversial subject, but there is nothing objectionable in the film, says Paresh C Palicha.
Raja Sen has just watched the teaser of Sachin: A Billion Dreams a few times over, and he can't stop grinning.
Joginder Tuteja goes back in time to see the biggest June releases of the last 10 years.
An Insignificant Man gets full marks for its originality, says Utkarsh Mishra.
The box office collections of these V-Day releases give us some truths!
Watch Love Games only if you have nothing to do this weekend, says Namrata Thakker.
Nothing 'accidental' about this movie, feels Syed Firdaus Ashraf.
If Sex Tape works at all, it's solely because of its cast, says Raja Sen.
During the month, inflation in vegetables shot up to 35.99 per cent, as against 26.10 per cent in October. Likewise, the prices of cereals and eggs grew at a faster pace of 3.71 per cent.
On the evidence of a first teaser, it doesn't look like Emraan Hashmi's Azhar trying hard enough.
'The idea is to do everything, be creative... do mad stuff.' 'Then, you come home and live your life.' Saif Ali Khan reveals his game plan.
The box office report for the year so far ain't good.
Puli makes for a truly bad trip, warns Raja Sen.
The first half of Dishoom is breezy and snappy, and the increasingly irrepressible Varun Dhawan is on point, feels Raja Sen.
Beautifully shot and packaged with a fabulous soundtrack and superlative ensemble cast, Aisha, quite often, gets caught up in a self-created tangle of brand-led vanity to ever let one get acquainted to its leading lady.
Befikre is a colossally stupid film, says Raja Sen.
The Martian proves to be a light, pleasant watch, says Raja Sen.
For all its aspired sweetness, Anjaana Anjaani's USP lies in its dynamic substance and stylish oomph.
The movie has everything going for it. A total paisa vasool film!
And it all looks like warm, well-written fun!
'Everybody has freedom, but you cannot start a fire in a crowded theatre.'
A look at the big winners of the night.
'For all its swagger and insolence, the script is full of silly loopholes, annoying clichs and glaring superficiality.'
'I always feel that to shake up human beings, you have to go a little extreme.'
IIP down due to poor show by manufacturing, mining and power sectors
Mohenjo Daro takes too long to get there and feels even longer than the time that's passed, feels Sukanya Verma.
A look at the grand party pictures.
The film's unoriginal action and the plot-within-plot structure may prove to be its downfall, warns die-hard Transformers fan Rajesh Karkera.
Despite four screenplay writers and Salman Khan's best efforts, Kick fails to impress, says Sukanya Verma.
Anurag Kashyap's lovers have no enemies to shoot, says Sreehari Nair, and so they take aim at each other.
Transformers: Age of Extinction is a relentless clang-clang of metallic scrap and flying bullets, where there are more explosions than an entire day's production of popcorn at a multiplex.
'Who decides what is jingoistic?' 'What is patriotic?' 'Who decides Lagaan is patriotic and Gadar is jingoistic?'
Ranveer Singh transforms himself into Chotey so well that you really feel 'uska time aa gaya hai.'
'I don't take being a Nawab very seriously.'
We look at the movies that made Kangana Ranaut a star.
Sukanya Verma gives 10 ways our stars engaged in them.
A stale plot with flatly executed scenes of retribution and a lacklustre leading lady; Hate Story 2 is too trivial to be erotic or thrilling
Hrithik's intensity around Mohenjo Daro's rambling spectacle is touching even if the promos pack in more swagger than substance and reveal Gowariker's preference for opulence over realism, feels Sukanya Verma.
Quentin Tarantino is doing fine, but Robert Rodriguez' has hit a major career dent.
© 2026 Rediff.com - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances